Showing posts with label Bruno Nicolai. Show all posts
Showing posts with label Bruno Nicolai. Show all posts

Monday, 1 April 2013

The great Silence


The Great Silence
Genre: Spaghetti Western
Original title: Il grande silenzio
Director: Sergio Corbucci
Year: 1968

A mute gunslinger faces off against a gang of bounty hunters in the great blizzard of 1899, and a grim, tense struggle unfolds.

In 1968 Sergio Corbucci, best known for the cult classic Django, gave us an unforgettable western that was like no other.  It stars the well respected French actor Jean-Louis Trintignant as the character of Silence. Silence is an appropriate name given that his character cannot speak after having his throat savagely cut as a child, this coming moments after witnessing his parents being murdered at their home. Silence seeks revenge but abides to the rules of the west by never shooting unless somebody draws first, this also prevents him from being arrested. Klaus Kinksi delivers his most iconic performance in a Spaghetti as Loco the bounty hunter. He is ruthless in his pursuit for financial gain & has no problem with shooting a defenseless person to collect the bounty on their head. Elsewhere you have Frank Wolff as the sheriff, Luigi PistilliVonetta McGee

The cast are all wonderful but it's the setting that Corbucci decides to use as a backdrop that is the real star of this picture. Having already used an unusual and visually striking backdrop for Django (with the filthy muddy sets), Corbucci sets The Great Silence in the blizzard of 1899 meaning that the entire set & surroundings are covered in snow. This creates the doomed setting for these characters to live in. Even the superb Ennio Morricone score composed by Bruno Nicolai remains restrained when in comparison to most of Morricone's other Spaghetti's. Instead of a score that runs throughout, most of the film is soundtracked only by the sound of the harsh wind as the snow becomes as big of a part of the film as any of the characters.  The characters constantly struggle against their harsh surroundings with guns that have frozen up & they even resort to eating a horse to stay alive. Also any bloodshed inevitably falls onto the snow which for some reason the combination of the two creates such a brutally striking visual.

"They call him silence because wherever he goes, the silence of death follows"
The film is less political than some of Corbucci's other westerns, though there were some obvious themes that appear to be against capitalism, against what is seen as 'good' in the name of the law & even boasts an interracial relationship which I can't imagine had been done in a Western prior to this. As for the cinematography, Corbucci's usual close ups and use of shaky cam are all present but it's the unpleasant stench of inevitable doom that The Great Silence is soaked in that really makes this film so special.

There are some unforgettable scenes spread throughout. Of course there is the classic trait of the genre seeing our hero show off his accurate gun skills & my personal favourite where Kinksi's character is being transported after being arrested by the sheriff. Kinksi asks to stop to go to the toilet, squats over & the second the sheriff turns his back he pulls out a gun from under the snow that he'd planted their previously. 

The film builds up and we expect a showdown with Silence vs Loco. It is made clear throughout that Silence will not draw first, Loco also abides to these rules though it appears to be more through pride than to honour the "rules" of the west as he has no problem murdering defenseless people throughout the film.

However what really sets The Great Silence apart from other westerns is its unforgettable ending. If you've never seen the film I'd highly recommend that you stop reading now.

The film builds up to its climax with Silence being terribly injured with the majority films sympathetic being held at gunpoint by Loco & the other bounty hunters. Its made clear that they will all be executed unless Silence comes & faces Loco so of course our badly wounded hero enters the scene & we expect him, against all the odds, to save the day. However the doom & gloom of the surroundings throughout the film does not ever let up & we are treated to an unexpected & devastating ending where Silence is shot to death by the bounty hunters followed by a massacre of every single one of the films sympathetic characters. It is the kind of ending that will make your draw hit the ground & the type that will remain with you long after the picture has finished. 

The Great Silence saw Sergio Corbucci deliver not only his own masterpiece, but one of the great Spaghetti Westerns of all-time & one of the all-time great pieces of Italian cinema history. It remains about as essential as they come.

Rating: ★★★★½

Klaus Kinksi, unforgettable as Loco

Sunday, 24 March 2013

The Night Evelyn Came Out of the Grave


The Night Evelyn Came Out of the Grave
Genre: Giallo, Horror
Original title: La notte che Evelyn uscì dalla tomba
AKA: The Night She Arose From the Tomb 
Director: Emilio Miraglia
Year: 1971

A wealthy pervert traumatized by the loss of his cheating wife lures beautiful redheaded young women to his castle & kills them off one by one whilst people close to him aren't the friends he believes them to be.

The Night Evelyn Came Out of the Grave is a slow burning film that mixes elements of the Giallo genre with the classic Gothic setting. It's a little bit bloated in the middle and definitely could of done with 15-20 minutes cut off but overall it's a pretty solid picture with some nice camera work. I felt it could of done with one or two better known faces from the era to elevate the picture however the performances are all serviceable enough & there's some nice yet restrained flair from the direction of Emilio Miraglia

The highlight is definitely the score by Bruno Nicolai who most notably worked alongside Morricone as conductor on The Good, the Bad and the Ugly. 

However, there is a lack of thrills & whilst the twists are believable & not too over the top they never seem to be delivered with any kind of emotional punch. Despite it's flaws it holds up as a pretty solid mix of gothic horror & Giallo. I'd recommend checking out Miraglia's only other Gialli, Red Queen Kills 7 Times, which overall is a much well rounded & entertaining picture.

Rating: ★★★




Saturday, 23 March 2013

Red Queen Kills 7 Times


Red Queen Kills 7 Times
Genre: Giallo, Horror
Original title: La dama rossa uccide sette volte
AKA: The Corpse Which Didn't Want to Die
Director: Emilio Miraglia
Year: 1972

Two sisters, Kitty (Barbara Bouchet) and Evelyn, are cursed by a family painting depicting a seven year-cycle in which a Red Queen is raised from the dead to kill seven times. After Evelyn seemingly perishes and multiple killings ensue, their niece Franziska (Marina Malfatti) and Kitty start to suspect that Evelyn may be the Red Queen.

A year after directing The Night Evelyn Came Out Of The Grave, Emilio Miraglia made his second (& final) Gialli which once again featured a character called Evelyn coming back from the grave.. or has she? 

The problems with his first film were down to pacing issues & a general lack of thrills, this time around Miraglia almost hits the nail on the head. Once again there is a absolutely fantastic Bruno Nicolai score. 
Barbara Bouchet & a very naked Sybil Danning provide the sex appeal & there's some really good kills scattered throughout the film with a story that actually works & is engaging. Sure it all leads an overly ambitious reveal at the end that is as ridiculous as it is outrageous, but that's one of the traits of the genre so you have to kind of accept how far fetched it is. 

After such a vast improvement in just a year from his first attempt it's a damn shame Emilio Miraglia never got to make a third Evelyn film to create a trilogy as further improvement could of seen him make a real classic.

Rating: ★★★½

Red Queen, an overlooked gem



Friday, 22 March 2013

All The Colors Of The Dark



All The Colors Of The Dark
Original Title: Tutti i colori del buio
AKA: They're Coming to Get You / Day Of The Maniac / Demons of the Dead
Genre: Giallo
Director: Sergio Martino
Year: 1972

A woman recovering from a car accident in which she lost her unborn child finds herself pursued by a coven of devil worshipers.

Fenech X4, I'd give my left testical for just one of her.
They Are Coming To Get You, Day Of The Maniac, Demons of the Dead & All The Colors Of The Dark are just some of the titles of director Sergio Martino's third Giallo picture goes under. It has an impressive cast with leads from two of the genres most recognisable names in Edwige Fenech & George Hilton & a great supporting cast that includes Susan Scott & Ivan Rassimov. The plot borrows heavily from Roman Polanski's Rosemary's Baby & has a very confused & paranoid Edwige Fenech get mixed up with a devil worshipping cult. To make matters worse she has Ivan Rassimov (who here sports the bluest eyes you'll ever see) constantly stalking her. If anybody was born to play those type of creepy characters it was him.

Out of Martino's Gialli I'd say this was probably his most ambitious, it relies on the psychological drama instead of the gory kills & for the most part the film delivers. Visually it's a treat, making great use of its London setting. The camera angels used on the main apartment block really helped add a sense of paranoia to Fenech's character. Despite all this, the highlight without a doubt is the amazing Bruno Nicolai score. For my money it's one of the defining scores of the genre with its use of sitars, psychedelic rock, choirs & creepy moments, it really helps create a paranoid atmosphere to the picture & lets the films themes feel that more stronger.

A pretty much essential Giallo which for my money is Martino's second best Gialli just behind the wondeful The Case of the Scorpion's Tail .

 Rating: ★★★★