Showing posts with label Ferdinando Baldi. Show all posts
Showing posts with label Ferdinando Baldi. Show all posts

Sunday, 31 March 2013

Terror Express


Terror Express
Genre: Exploitation
Original title: La ragazza del vagone letto
Director: Ferdinando Baldi
Year: 1979

Three thugs commandeer a couple of cars on a moving train and spread terror among the passengers.

Terror Express is a film often overlooked by Italian film fans in the Last House On The Left style of film, which for a few years almost became a genre of its own. Aldo Lado's brilliant Late Night Trains had came four years prior to this with its setting being largely on a train, though that film only used the train as a set-up for the revenge that came after. Terror Express (minus a couple of short scenes) is based completely on the train & it manages to sustain its nasty thrills by constantly moving, never taking a second to reflect & cramming in as much sleazy nastiness that it can in its short 80 minute running time. 

It's directed by Ferdinando Baldi who mostly had success with Spaghetti Westerns such as Viva, Django, he clearly understood what type of film was making with so much attention being geared towards the sex & violence that the film contains. 

The cast is one full of many faces that Italian genre fans will recognise even if they are unfamiliar with their names. Silvia Dionisio (once married to Ruggero Deodato) plays a hooker who works on the night train. The trio of well spoken thugs that take over the train contain Austrian actor Werner Pochath (The Cat o' Nine Tails, Ratman) & Carlo De Mejo (City of the Living Dead, The House by the Cemetery). Elsewhere on the train we have Venantino Venantini (Cannibal Ferox) & Czech actress Zora Kerova (The New York Ripper, Cannibal Ferox). I spent half the film thinking 'I know you from somewhere' whilst looking at various characters faces.


The film is written by a legendary figure here on Cult Italia, George Eastman. As well as acting, Eastman was a screen-writer that gave us films of such bad taste as Porno Holocaust & Bestialità so it is no surprise that Terror Express contains many ultra-sleazy scenes. First of all you have the three villains who at first appear to be more of a nuisance rather than a threat. They arrive for dinner with their loud music & are rude & obnoxious. Though things soon spiral out of control when they end up taking a gun from a police-man who is escorting a prisoner on the overnight train. From then on the characters become sadistic in their nature, taking over the train with violence and sexual abuse. 

In one scene, after Silvia Dionisio's character has been raped 3 or 4 times the prisoner is sent in to continue the rape. He turns out to be a sympathetic character and tries to fight back but is beaten by the thugs so the raped women decides to have sex with him after. There's also a man on the train with his family who sleeps with said prostitute and makes her wear his own daughters nightgown as he has incestuous feelings about his daughter. It is that kind of movie & I guess no surprise that it came from the insane mind of George Eastman!

In the UK the film was caught up in the video nasty scare of the early 80s when the Fletcher label release was seized by a number of police forces during raids. Though most probably the film was mistaken for Late Night Trains which was on their hit-list at the time.

Late Night Trains is still the go-to film if you want a exploitation film set on a train but Terror Express isn't far behind. The inevitable revenge in the final few minutes doesn't deliver the payback that these type of films perhaps should, but that aside this is sleazy, nasty, fast paced, fun & entertaining slice of exploitation cinema which deserves to be seen by more fans of this type of cinema

Rating: ★★★½

Sunday, 24 March 2013

Nine Guests For A Crime

Nine Guests For A Crime
Genre: Giallo
Original title: Nove ospiti per un delitto 
Director: Ferdinando Baldi
Year: 1977

A family consisting of a patriarch, his much younger wife, his troubled sister, his sons, and their wives go on a vacation to a remote Mediterranean island where years earlier the father and sons had murdered the lower-class lover of their aunt

This not often seen Giallo has a pretty similar premise to that of Mario Bava's 5 Dolls for an August Moon with affairs taking place on a remote ireland followed by murders.

Nine Guests For A Crime starts of incredibly sleazy with a few drawn out sex scenes and plenty of female nudity, around half hour in it drops all this (probably for the best) in favour of a more traditional gialli plot. 
Director Fernando Baldi (mostly known for his Spaghetti Westerns Texas, Adios & Blindman) fails to create atmosphere or any level of suspense which really lets this film down in the places where it just has to deliver. The plot is a tried and tested one with the males of the cast for the most part giving pretty solid performances but it rarely ever feels thrilling enough considering its premise. 

It's not a terrible example of the genre but at the same time it's really no surprise that this one has been so forgotten about.

Rating: ★★½

"People are being killed left right & center but who cares.. we have J&B!"



Friday, 22 March 2013

Django, Prepare a Coffin (1968)

Original Title: Preparati la bara!
AKA: Viva Django
Genre: Spaghetti Western
Director: Ferdinando Baldi
http://www.imdb.com/title/tt0062151/?ref_=fn_al_tt_1

A mysterious gunfighter named Django is employed by a local crooked political boss as a hangman to execute innocent locals framed by the boss, who wants their land. What the boss doesn't know is that Django isn't hanging the men at all, just making it look like he is, and using the men he saves from the gallows to build up his own "gang" in order to take revenge on the boss, who, with Django's former best friend, caused the death of his wife years before. 

Terrance Hill is Django, or should I say, Terrance Hill is Franco Nero! The resemblance is uncanny and character wise Hill gets the Django near enough spot on making Viva Django (AKA Django Prepare A Coffin) a worthy unofficial sequel to the original classic. The plot is simple enough, the pacing tight & there are some really memorable scenes. Also the mighty George Eastman is here as the Villain named Lucas, Eastman always manages to elevate any film he's in even if it's a stinker. Don't expect the kind of comedy you'll find in your usual Terrance Hill western, this is a faithful take on the Django character that uses all the traits & trademarks of the original. 

Rating: ★★★½
And the winner of the Franco Nero impersonator is... Terrance Hill!