Showing posts with label Luigi Pistilli. Show all posts
Showing posts with label Luigi Pistilli. Show all posts

Monday, 1 April 2013

The great Silence


The Great Silence
Genre: Spaghetti Western
Original title: Il grande silenzio
Director: Sergio Corbucci
Year: 1968

A mute gunslinger faces off against a gang of bounty hunters in the great blizzard of 1899, and a grim, tense struggle unfolds.

In 1968 Sergio Corbucci, best known for the cult classic Django, gave us an unforgettable western that was like no other.  It stars the well respected French actor Jean-Louis Trintignant as the character of Silence. Silence is an appropriate name given that his character cannot speak after having his throat savagely cut as a child, this coming moments after witnessing his parents being murdered at their home. Silence seeks revenge but abides to the rules of the west by never shooting unless somebody draws first, this also prevents him from being arrested. Klaus Kinksi delivers his most iconic performance in a Spaghetti as Loco the bounty hunter. He is ruthless in his pursuit for financial gain & has no problem with shooting a defenseless person to collect the bounty on their head. Elsewhere you have Frank Wolff as the sheriff, Luigi PistilliVonetta McGee

The cast are all wonderful but it's the setting that Corbucci decides to use as a backdrop that is the real star of this picture. Having already used an unusual and visually striking backdrop for Django (with the filthy muddy sets), Corbucci sets The Great Silence in the blizzard of 1899 meaning that the entire set & surroundings are covered in snow. This creates the doomed setting for these characters to live in. Even the superb Ennio Morricone score composed by Bruno Nicolai remains restrained when in comparison to most of Morricone's other Spaghetti's. Instead of a score that runs throughout, most of the film is soundtracked only by the sound of the harsh wind as the snow becomes as big of a part of the film as any of the characters.  The characters constantly struggle against their harsh surroundings with guns that have frozen up & they even resort to eating a horse to stay alive. Also any bloodshed inevitably falls onto the snow which for some reason the combination of the two creates such a brutally striking visual.

"They call him silence because wherever he goes, the silence of death follows"
The film is less political than some of Corbucci's other westerns, though there were some obvious themes that appear to be against capitalism, against what is seen as 'good' in the name of the law & even boasts an interracial relationship which I can't imagine had been done in a Western prior to this. As for the cinematography, Corbucci's usual close ups and use of shaky cam are all present but it's the unpleasant stench of inevitable doom that The Great Silence is soaked in that really makes this film so special.

There are some unforgettable scenes spread throughout. Of course there is the classic trait of the genre seeing our hero show off his accurate gun skills & my personal favourite where Kinksi's character is being transported after being arrested by the sheriff. Kinksi asks to stop to go to the toilet, squats over & the second the sheriff turns his back he pulls out a gun from under the snow that he'd planted their previously. 

The film builds up and we expect a showdown with Silence vs Loco. It is made clear throughout that Silence will not draw first, Loco also abides to these rules though it appears to be more through pride than to honour the "rules" of the west as he has no problem murdering defenseless people throughout the film.

However what really sets The Great Silence apart from other westerns is its unforgettable ending. If you've never seen the film I'd highly recommend that you stop reading now.

The film builds up to its climax with Silence being terribly injured with the majority films sympathetic being held at gunpoint by Loco & the other bounty hunters. Its made clear that they will all be executed unless Silence comes & faces Loco so of course our badly wounded hero enters the scene & we expect him, against all the odds, to save the day. However the doom & gloom of the surroundings throughout the film does not ever let up & we are treated to an unexpected & devastating ending where Silence is shot to death by the bounty hunters followed by a massacre of every single one of the films sympathetic characters. It is the kind of ending that will make your draw hit the ground & the type that will remain with you long after the picture has finished. 

The Great Silence saw Sergio Corbucci deliver not only his own masterpiece, but one of the great Spaghetti Westerns of all-time & one of the all-time great pieces of Italian cinema history. It remains about as essential as they come.

Rating: ★★★★½

Klaus Kinksi, unforgettable as Loco

Thursday, 28 March 2013

The Iguana with the Tongue of Fire


The Iguana with the Tongue of Fire 
Genre: Giallo
Original title: L' iguana dalla lingua di fuoco
Director: Riccardo Freda
Year: 1971

In Dublin, a young woman is brutally murdered in her home by a maniac that throws acid in her face and then slits her throat with a razor. Her mangled body is later discovered in the boot of a limousine owned by the Swiss Ambassador

A giallo, set in Dublin? An interesting concept & I do enjoy seeing different cities from back in the day unfortunately the following piece of information tells you all you need to know about this picture.

"When the German Co-Producer Artur Brauner saw the finished film, he decided to skip a theatrical release in Germany, just due to the quality of the film which he wasn't satisfied with." 

This sums the entire film up in a nutshell. 

Director Riccardo Freda, who had made a couple of semi-successful gothic horrors in the late 50s to early 60s (The Horrible Dr. Hichcock, The Vampires) really failed to ignite any kind of spark with The Iguana with the Tongue of Fire, its poorly put together with shoddy editing, a terrible script & remains completely uninteresting throughout. 

In its defense I did see a pretty shoddy print of the film which was terribly dubbed but I can't imagine a pristine copy of this film being able to prevent pure boredom.
There were a few positives, the Stelvio Cipriani score was pretty solid & the amount of gore was surprisingly high (even for a giallo) but then you could argue that it was only inserted to try and cover up the fact the film has zero suspense. Then there was enough talent in the cast from Dagmar Lassander to Werner PochathLuigi Pistilli (playing an Irishman!) that it perhaps should of been a decent film but everything is so poorly executed that all their performances feel redundant. 

It's not very often I really struggle to finish a film, even the bad ones I usually find some sort of enjoyment value from but this is a case where the film drags on for what feels like an eternity & you ask yourself afterwards why you even bothered to finish it. 

Rating: ★½

Paddy Pistilli

Friday, 22 March 2013

Your Vice is a Locked Room and Only I Have the Key (1972)

Original Title: Il tuo vizio è una stanza chiusa e solo io ne ho la chiave
AKA: Excite Me/Eye of the Black Cat/Gently Before She Dies
Genre: Giallo
Director: Sergio Martino
http://www.imdb.com/title/tt0069421/


Oliviero is a burned-out writer, living at his estate near Venice, his dead mother dominating his imagination. He is also a degenerate: sleeps with his maid and his ex-student, hosts Bacchanalia for local hippies, and humiliates his wife Irina in front of strangers. She lives in terror. When a young woman is murdered, police suspect Oliviero. 

Your Vice Is a Locked Room and Only I Have the Key has a lot of positives going for it.

- First of all the title even by Giallo standards has to be one of the most ridiculous that the genre has to offer.
- It's directed by Sergio Martino who seems to always strike gold.
- A solid Bruno Nicolai score. For my money he is the king of the Giallo scores, yes even better than Ennio Morricone
- A cast that includes Edwige Fenech, Anita Strindberg, Luigi Pistilli & Ivan Rassimov
- & lastly but most important.. a cat called Satan.

With all these wonderful things in its favour I can't help but feel slightly disappointed. That's not to say that this isn't an entertaining Giallo that doesn't deliver because that's far from the case, I just feel with so many positives it should be up there with the very best yet it never quite reaches those levels, perhaps I was just upset with the fact Fenech sports a short hair-do in this film!. However it remains another very good Martino picture with some great characters (Pistilli is such a bastard here!) & a really fantastic payoff with the cat Satan at the very end.

Rating:  ★★★½

Luigi Pistilli, knows how to treat his women